REVIEW

The second EP from LA-based darkwave / shoegaze band past self, who identify with “k-goth” (Korean gothic).

The trio—Sung (guitar/vocals), æther (synth), and Spektor (bass)—draws heavily on The Cure, Molchat Doma, and Slowdive, blending ’80s goth and post-punk foundations with shimmering guitars and synths to create an elegant, ethereal sound. Building on their debut EP, Sung incorporates Korean-language lyrics, giving the band a distinctive originality that sets them apart from typical gothic acts. The interspersed Korean lines in this EP add a haunting quality, evoking a deep, unsettling darkness reminiscent of Korea’s reputation for intense horror aesthetics.

This release marks their darkest work yet, though with one track serving as an intro, the overall runtime feels slightly short. Still, it leaves plenty of momentum for anticipation of a full-length album. Visuals are also striking, with the band performing in white robes, faces painted white, and eyes obscured by red bands—an unusual and memorable look.

Live, past self has shared stages with notable acts such as Mareux, Twin Tribes, and Drab Majesty, and fans can hope to see them perform in Japan someday.